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Ableton Live Suite v11.0.5-Patched (WiN)-NoGrp

Ableton Live Suite v11.0.5 | 2.56 GB

Create bolder sounds with Live’s new devices. Stay in the flow with a multitude of workflow improvements. Do even more away from the computer with Push. Build your sound with a curated library. And get the unlimited potential of Max for Live, seamlessly built in.

What’s new in Live 11
Create your perfect take
Take recording and comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.

Linked-track editing
Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks.
Add more feeling to your music
Use your MPE-capable controller
Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.

What is MPE?
MPE stands for MIDI Polyphonic Expression. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances.

Experiment with new devices
Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.

Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.

Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.

PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.

Inspired by Nature
Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration.

Do more on stage
Tempo Following
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.

Macro Snapshots
Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.

Rack improvements
Configure your Racks to have between 1 and 16 Macros. Randomize the state of your Macros with the randomization button. Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself.

Be unpredictable
Note chance
Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.

Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.

Do more with Follow Actions
Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Scene Follow Actions let you create evolving arrangements. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.

Work with new sounds
New instruments
Created in collaboration with Spitfire Audio, these three Instrument Packs bring the dynamic chamber ensemble textures to any production.

  • Fixed an issue where Live hangs when zooming in Arrangement View in some cases.
  • Previously, reordering automation lanes via dragging and dropping or using the “CMD” and Arrow Up/Down (Mac) / “CTRL” and Arrow Up/Down (Win) keys would not mark the document as modified.
  • Fixed the width of the divider line between Arrangement lanes and track/lane headers.
  • Previously, after selecting content by clicking on the Arrangement loop brace or pressing “CMD”+”A” (Mac) / “CTRL”+”A” (Win), content of tracks nested in a folded Group Track would not be selected when unfolding the containing Group Track.
  • Previously, track lanes and headers could not be deselected via “CMD”+click (Mac) / “CTRL”+click (Win) when their tracks contained hidden and selected automation lanes, take lanes, and/or Group Tracks.
  • Fixed a crash that could occur when restoring the Arrangement View’s zoom state using the “Z” keyboard shortcut after deleting a take lane.
  • Fixed a crash that could occur when clicking in a track’s main lane after track content had been selected during recording, under certain circumstances.
  • Previously, mixer controls in linked tracks would still be linked when selecting a take lane, after multiple track headers had previously been selected.
  • Arrangement clip headers no longer have an uneven appearance.
  • Previously, an Arrangement clip header would not be displayed as having a standby selection when the focus was moved away.
  • Previously, it was not possible to unlink all tracks when some tracks were nested inside a Group Track.
  • Fixed a crash that occurred when inserting a take lane.
  • Fixed a crash that could occur when trying to move a selected main automation lane by pressing the “CMD” and Arrow Up/Down (Mac) / “CTRL” and Arrow Up/Down (Win) keys.
  • Windows 10 (Build 1909 and later)
  • Intel® Core™ i5 processor or an AMD multi-core processor.
  • 8 GB RAM
  • 1366×768 display resolution
  • ASIO compatible audio hardware for Link support (also recommended for optimal audio performance)
  • Access to an internet connection for authorizing Live (for downloading additional content and updating Live, a fast internet connection is recommended)
  • Approximately 3 GB disk space on the system drive for the basic installation (8 GB free disk space recommended)
  • Up to 76 GB disk space for additionally available sound content

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